Cast and Crew

Dan Armstrong

Dog & Frog

Meet Dan

Say My Name: d-AE-n AAM- STRONG

Originally from the New Forest, Dan trained in Contemporary Theatre at East 15 and later studied at The Curious School of Puppetry. Dan has previously worked with Tall Stories in The Smeds and The Smoos.

Dan’s previous credits include Dragons & Mythical Beasts (International Tour), TheSnowmouse (The Egg), Peter Pan (Regent’s Park Open Air Theatre), Flew The Coop (New Diorama), Midsummer Night’s Dream (Scottish Opera) and Pinocchio (Strike-A-Light)

His television credits include Don’t Hug Me I’m Scared (Channel 4), The Third Day (Punchdrunk/HBO)

 

If you could fly anywhere, where would you fly to?

To the top of Kilimanjaro, I’ve heard the views are amazing up there!

What would your magnificent broom look like and what would it do?

It would glow in the dark and have the softest seat for long journeys. It would shrink when we flew so we were as small as a pea and could explore every tiny nook and cranny!

If you could cast one spell, what would it be?

To instantly turn anything into a stack of pancakes, I love pancakes.

Amy Harris

Witch

Meet Amy

Say My Name: AY-me HA-ris

 

Amy is originally from Portishead just outside Bristol, she trained at Drama Studio London. Amy previously worked with Tall Stories performing in both Room on the Broom (UK/USA Tour/West End) and The Snowdragon (UK Tour/Sydney Opera House).

Other theatre credits include Four Seasons (Little Bulb Theatre/Bristol Old Vic), The Parcel (Theatre Alibi), Moby Dick (Darkstuff Productions/Tobacco Factory Theatres), As You Like It (Apricity Theatre) and film credits include: Swimming: How Far is Too Far? and Rocket.

What have been your favourite projects to work on?

‘Room on the Broom’ has taken me all over the world and introduced me to so many brilliant little fans of the book. I have loved my time on it and keep coming back for more!

What was your favourite story as a child?

‘George’s Marvellous Medicine’ – so much mischief in one story!

What possession would you really not want to lose?

I have a beautiful motorbike that I like to ride in the sunshine. I don’t mind getting lost on it, but I would be very sad if it got lost.

Joe Lindley

Bird & Dragon

Meet Joe

Say My Name: J-oh Lind-lee

Originally from Wakefield, West Yorkshire, Joe trained at The Liverpool Institute for Performing Arts (LIPA).

This is Joe’s first time working with Tall Stories. Other theatre credits include Frozen (Disneyland Paris), The Wave (European Tour), Greenwood Dreams (Claybody Theatre), Spellz (UK Tour) and The Sam Wanamaker Festival (Shakespeare’s Globe). His television and film credits include All at Sea (BBC), Puck (Short Film) and Divine Intervention (Short Film).

 

What have been your favourite projects to work on?

I absolutely loved performing at Disney. Living in Paris was amazing and I spent all day hanging out with Elsa, Anna and Olaf which was pretty cool.

What was your favourite story as a child?

Room on the Broom was definitely a favourite of mine, so much so, that I once went to school dressed as the witch for World Book Day!

What possession would you really not want to lose?

I wouldn’t want to lose my headphones because I need to be listening to music wherever I go (mostly so that I can pretend I’m in a music video).

Nadia Shash

Cat

Meet Nadia

Say My Name: Na-dee-uh Sh-ash

Nadia is from Northamptonshire and trained at the Royal Birmingham Conservatoire. This is Nadia’s first production with Tall Stories. Other theatre credits include A Midsummer Night’s Dream (Cheltenham Everyman & tour), Aladdin (Regal, Tenbury Wells), Pockets of Power (Scary Little Girls/Glastonbury Festival), Dick Whittington and Ali Baba and the Forty Thieves (Chipping Norton), The Wishing Tree (Little Angel Theatre and Emily Rising (Little Angel/Goblin Theatre).

Nadia’s TV credits include Casualty, The Midwich Cuckoos, East Enders, Ted Lasso, Years and Years and Kingmakers. She has also appeared in Control (Short film), For The King II (Video Game) voiceover work on various features for Sky Sports and various radio and television commercials.

 

What have been your favourite projects to work on?

Shows where I have learned something new – a new skill, facts about a particular subject and projects that are close to my heart.

What would your magnificent broom look like and what would it do?

There would be room for me and my dog and it would have a magical oxygen bubble around it so that we could dive underwater and swim with whales and dolphins.

If you could cast one spell, what would it be?

I’d make it so that I could speak and understand dog language and my dog Hera could understand English and then we chat to each other.

Ed Theakston

Understudy/Assistant Stage Manager

Meet Ed

Say My Name: Eh-d THEEK-stun

Ed Theakston is a performer, theatre-maker and all-round clown who trained on the BA Acting & Contemporary Theatre course at East 15 Acting School. Ed’s theatre credits include Buttons in Cinderella (Compass Theatre), Skin in the Game (New Wimbledon Theatre), Eight Percent (Bush Theatre), The Others (Camden People’s Theatre) and The Elders (Theatro Technis).

On-screen, their feature film debut in The Renata Road had its premiere in Los Angeles, was in the Official Selection of eight international film festivals and won multiple awards including the Milan Gold Award for Best Indie Feature. Ed also appears in the music video for Sam Fender’s breakthrough hit single Dead Boys and short films The Microbial Verdict and Compound.

Other credits include development projects for the RSC, Team Angelica and Complicité. Ed is also a playwright and is currently a member of the Soho Theatre Writers’ Lab.

 

If you could fly anywhere, where would you fly to?

I’ve always loved Greek myths, so I would fly to the very tip top of Mount Olympus to see if I could find the mythical Greek gods – and Pegasus!

What would your magnificent broom look like and what would it do?

It would be brightly coloured and sparkly and have a glorious long tail that flowed in the wind and a cosy seat for my pet cat (she’s called Squirrel).

If you could cast one spell, what would it be?

I would cast a spell so that all animals could talk to any human who wanted to listen – so we could speak to dogs and cats and horses and frogs and fish.

Holly Glenn

Company Stage Manager

Meet Holly

Say My Name: HOL-lee G-len

Originally from Northern Ireland, Holly now lives in England after studying at Rose Bruford College. Holly is a stage manager who enjoys working in new writing and children’s theatre.

Previous shows Holly has worked on include, Route 158 (Punchdrunk Enrichment/Tour), The Instrumentals (Southbank Centre), WOW! It’s Nighttime (Little Angel Theatre), The Nightwoman (The Barbican) and Sleeping Beauty (The Grange Theatre)

What was your favourite story as a child?

The Hollyhock Wall. I really enjoyed the story because the main character looked like me and I liked the illustrations.

What possession would you really not want to lose?

My childhood teddy bear who I named after one of my sisters.

If you could fly anywhere, where would you fly to?

I would fly all the way to the seaside village my Grandad is from in County Clare.

Creatives

Olivia Jacobs

Director

Meet Olivia
Say My Name: uh-LIV-ee-uh JAY-kuhbs
What do you like best about your job?

The people I get to work with. I’m lucky to be in a room with so many talented and creative people. It’s hard and physically demanding – but we laugh all the time and what could be better than that?!

What was your favourite story as a child?

I loved being read Mr Tickle by my dad. The anticipation of him tickling at the end was almost unbearable…

Why did you want to work in theatre?

I learn best through stories and am inspired by getting lost in a brilliant tale. To be part of making great stories come to life for a living is a real treat.

Toby Mitchell

Dramaturg

Meet Toby
What have been your favourite projects to work on?

As a director, ‘The Smeds and The Smoos’, ‘The Snow Dragon’ and ‘The Snail and the Whale’; as a writer/performer, ‘Future Perfect’ (a show I performed with my then 10-year-old son).

What was your favourite story as a child?

‘Alice in Wonderland’ (for its nonsense and intelligence) and ‘Winnie the Pooh’ (for its silliness and philosophy).

James Whiteside

Lighting Designer

Meet James
What have been your favourite projects to work on?

I’m very lucky to have worked on all sorts of projects, so it’s very hard to pick a favourite. But I did have a blast the first time I went to New York with Tall Stories!

What was your favourite story as a child?

My favourite story as a child was ‘The Wind in the Willows’, and it still is! One day I would like to light it on stage.

Jon Fiber & Andy Shaw

Music & Lyrics

Meet Jon Fiber & Andy Shaw
What have been your favourite projects to work on?

We’ve enjoyed all of the shows we’ve worked on with Tall Stories but I think our favourite experience was working with actor-musicians, devising songs and music for ‘Wilde Creatures’ and ’The Canterville Ghost’.

What was your favourite story as a child?

Jon’s favourite story as a child was ‘Peter and the Wolf’ (although it terrified him!) and Andy’s was ‘The Adventures of the Little Wooden Horse’.

Alice Lessing

Costume Supervisor

Meet Alice

What has been your favourite projects to work on?
It has to be The Snail and the Whale! I love the way the story is told through the little girl; It’s so clever and imaginative.

What’s your favourite ocean creature?
A Sea Horse! They can change colour in minutes and it’s the male that carries the babies – brilliant!

Yvonne Stone

Puppet Designer

Meet Yvonne

Say My Name: ee-VON st-OHn

Yvonne studied Puppetry at the Central School of Speech and Drama in London having previously attended the Byam Shaw School of Art. She is now an independent puppet designer, director, maker and performer for theatre, television and film.

What have been your favourite projects to work on?

I have loved working on all my projects. It’s just so great to work with puppets.

What was your favourite story as a child?

My favourite stories as a child were the Yvonne and Teresa stories made up by my dad for my sister and I. We couldn’t get enough of them!

What was the first show you saw as a child?

It was a pantomime in London. I’d just got over chicken pox and was a bit shy, but then I was asked to come up on stage and suddenly all my shyness was gone!

Morag Cross

Choreographer

Meet Morag
What have been your favourite projects to work on?

Not to be cheesy, but ALL of the Tall Stories shows that I’ve done the movement for are the most fun and collaborative and satisfying to create.

What do you like best about your job?

Playing games and dancing and laughing until I’m exhausted!

Author & Illustrator

Julia Donaldson

Author

Meet Julia

Julia is the author of some of the world’s best-loved children’s books, including modern classics ‘The Gruffalo’ and ‘The Gruffalo’s Child’, which together have sold over 17 million copies worldwide, and the hugely successful ‘What the Ladybird Heard’ adventures. Julia also writes fiction, including the ‘Princess Mirror-Belle’ books illustrated by Lydia Monks, as well as poems, plays and songs – and her brilliant live shows are always in demand. She was Children’s Laureate 2011-13 and has been honoured with a CBE for Services to Literature. Julia and her husband Malcolm divide their time between West Sussex and Edinburgh.

Axel Scheffler

Illustrator

Meet Axel

Axel is a star illustrator whose instantly recognisable, warm and witty illustrations have achieved worldwide acclaim and numerous awards. Axel is the illustrator of wonderful novelty, gift and poetry books for Macmillan, such as ‘Fish Dream of Trees’ (Two Hoots) and the bestselling ‘The Bedtime Bear’, ‘The Tickle Book’ and ‘Mother Goose’s Nursery Rhymes’ – and of course, he is the illustrator of some of the world’s best-loved picture books, including the modern classic ‘The Gruffalo’, with over 30 million books sold worldwide across the series. Axel’s artwork is exhibited internationally; he has illustrated for many charities, and designed the Royal Mail Christmas stamps in 2012. Born in Hamburg, Axel now lives with his family in London.

 

Production

Director: Olivia Jacobs
Dramaturg: Toby Mitchell
Designer: Morgan Large
Music & Lyrics: Jon Fiber & Andy Shaw for Jollygoodtunes
Puppet Designer: Yvonne Stone
Lighting Designer: James Whiteside
Choreographer: Morag Cross
Costume Supervisor: Alice Lessing
Costume Maker: Kat Ramshaw

Production Manager: Nick May
Scenic Construction: KW Props, Big Image Systems, J&C Joel
Props Construction: Lamp & Pencil
Props Maker: Anita Gander
Transport: Robert Ashby for CEG Logistics
Tour Bookers: ProTours
Marketing: Jane Morgan Associates
Press & PR: About Grac

BSL Interpreter: Anna Kitson
Audio Describer: Caroline Burn
Assistant Stage Manager Cover: Mel Fritz-Liu



Adapted by the company from the picture book by Julia Donaldson and Axel Scheffler

Room on the Broom © Julia Donaldson and Axel Scheffler 2001 – Macmillan Children’s Books

Previous team members

Witch

Morag Cross (original production), Sarah-Louise Young, Fiona Putnam, Yvette Clutterbuck, Amy Harris, Rosamund Hine

Cat

Fionnuala Dorrity (original production), Karina Garnett, Lesley Cook, Yvette Clutterbuck, Emma MacLennan, Alexandra Harman, Catriona Mackenzie, Emma Crowley-Bennett

Dog & Frog

Phil Yarrow (original production), Sam Donovan, David Garrud, Charlie Guest, Jake Waring

Bird & Dragon

David Covey (original production), Scott Armstrong, Alex Scott Fairley, Alan Park, Sam Donovan, Dan Foxsmith, Luke McConnell, Darren Seed, Connor Bloom, Andrew Mudie, Alastair Chisholm