Cast and Crew

Darren Seed

Dad

Meet Darren

Say my name: DA-run SEE-d

Originally from Cornwall, Darren trained at Bristol Old Vic Theatre School, graduating with the Peter Ackerman Award for Outstanding Comedy Performances. He has toured nationally and internationally and regularly collaborates with new writers, co-devising productions for Oxford Playhouse, Tobacco Factory Theatres and Bristol Old Vic. In 2020, Darren co-founded Jam First Theatre, writing and devising original work that has toured the South West and been performed at the Edinburgh Fringe.

Previous credits with Tall Stories include: Room On The Broom (UK Tour)

Theatre credits include:
Oi Frog & Friends! (West End/UK Tour), The Koala Who Could (UK Tour), We’re Going On A Bear Hunt (USA/UK Tours), Tiddler and Other Terrific Tales (West End/Leicester Square Theatre), Bedtime (Oxford Playhouse), The Massive Tragedy Of Madame Bovary (Southwark Playhouse), Superstition Mountain (Minack Theatre), A Funny Thing Happened On The Way to The Forum (Tobacco Factory), Pericles (Redgrave Theatre), Edward Gant’s Amazing Feats Of Loneliness (Alma Tavern Theatre), 140 Million Miles (A Play, A Pie and A Pint, Òran Mór/ Traverse Theatre), Oh No Isn’t! (Barbican Theatre), The Last Days Of Mankind (Bristol Old
Vic)

Television credits include:
Father Brown (BBC), The Lost Honour Of Christopher Jefferies (ITV), Poldark (BBC)

Voiceover credits include:
The New Force (Netflix), Asterix & Obelix (Netflix), The Glass Dome (Netflix), The Swedish Connection (Netflix), Kleks Academy (Netflix), Tore (Netflix), Football Parents (Netflix), His Dark Materials (BBC/HBO)

What have been your favourite projects to work on?
We’re Going on a Bear Hunt USA tour. It was a real pleasure bringing the show to 35 states as the audiences we’re so diverse and different. Plus it was a real adventure road trip! I enjoy the creative process of making theatre shows and love working with puppets so Oi Frog was a lot of fun to help create. I also recently enjoyed helping to make The Koala Who Could and working out some of the puppetry for ‘Elmer The Elephant’ for Tall Stories involving a huge puppet! Discovering how things can move in a realistic way is a lot of fun!

What was your favourite story as a child?
Fantastic Mr Fox and Peter Pan

What possession would you really not want to lose?
My daughter’s first romper suit

Verity Walker

Daughter

Meet Verity

Say my name: VEH-rih-tee WAH-ker

Originally from Blackpool, Verity studied at Liverpool Institute of Performing Arts & Arts Educational Schools. She is currently training at Associated Studios
London where her credits include playing Vince in The Wonderful World of Dissocia directed by Adam Megiddo and has worked with directors such as Ian Good, Michael Attenborough
and Ian Talbot

Credits Include: Elf the Musical (UK Tour); Laurel & Chaplin the Feud (WestEndl)

What was your favourite project you’ve worked on?

“Twelfth Night” when I studied at LIPA, it turns out William Shakespeare it pretty cool!

What was your favourite story as a child?

I was a big book nerd as a little girl. I used to read all the Jaqueline Wilson, Roald Dahl and David Walliams books. I loved adventure stories as my imagination would run wild.

What is a possession you wouldn’t want to lose?
My grandma’s brown wallet. It’s falling to pieces, but it comes with me everywhere I go. It has a little napkin inside with a song I wrote for my grandad about how much I love him.

Lucinda Freeburn

Narrator

Meet Lucinda

Grew up and based in South East London, Lucinda trained at Rose Bruford College on the BA(hons) Acting. She is also the fiddle player in contemporary folk band Evolution of
Fishermen.

Other theatre credits include: The Little Mermaid (Watermill Theatre), One Man, Two Guvnors; Beauty and the Beast; Alice in Wonderland; The Nutcracker (New Vic Theatre), Hamlet; Twelfth Night; a Midsummer Night’s Dream; Richard III (Stafford Gatehouse Theatre), As You Like it (Garden Shakespeare), Romeo and Juliet (Quarter Too Ensemble), Pepi and Me (Camden Peoples Theatre), The Ferry, The Dog and the Fading Folk (Glass Moose Theatre), Cinderella (Royal Ballet)

Television credits include: Blindboy Undestroys the World (BBC Three

What have been your favourite projects to work on?

I love working on shows for all ages, Christmas projects are always magical because there are so many children and young people who have never been to the theatre before and it’s a so joyful hearing their response to their first live theatre/storytelling experience.

What was your favourite story as a child?

The Very Hungry Caterpillar. I was a massive daydreamer as a child and I loved the simplicity of it and the pictures!

What possession would you really not want to lose?

My violin. I would be heartbroken to lose it!

Jessica Pomeroy

Company Stage Manager

Meet Jessica

Say my name: Jess-ih-ka

Jess is a Company Stage Manager and Production Manager with extensive experience in touring theatre, family entertainment, and live events across the UK and internationally. Her credits include Dear Zoo Live (NLP Productions), Tales from Acorn Wood (NLP Productions), Milkshake Live (MT Productions), Horrible Histories Live (Birmingham Stage Company), Stickman Live UK Tour (Freckle productions). Jess is a graduate from the Royal Welsh College of Music and Drama, graduating in 2019 with a degree in Stage Management and Technical Theatre. Since graduating Jess specialises in family theatre and absolutely loves being able to provide family’s and young children their first experience of theatre, and watching their faces as their favourite stories are brought to life, is something Jess finds the most rewarding part of her career. Jess was the recipient of Stage Manager of the Year in 2022 & 2023 with Women in Live Music (WILM) for her contribution to women in the live events industry.

What has been your favourite projects to have worked on? 

My favourite project i have worked on so far would have to be Dear Zoo Live! It’s such a popular book and such a magical show and I feel very lucky to have been involved in this show, and with it being my nephews favourite book; being able for him too see it live was something really special and a core memory.

What was your favourite story as a child?

That would be a very hard question, but my two favourite books as a child would be The Owl who was afraid of the dark & the Jolly postman books

What possession you would really not want to lose?

I would have to say a soft toy, called monkey (who is a monkey…a unique name i know) but he is very special and holds a lot of good memories.

 

Amy Mawer

Assistant Stage Manager

Meet Amy

Creatives

Toby Mitchell

Director

Meet Toby

Say My Name: TOE-bee MIT-shull

What have been your favourite projects to work on?
As a director, ‘The Smeds and The Smoos’, ‘The Snow Dragon’ and ‘The Snail and the Whale’; as a writer/performer, ‘Future Perfect’ (a show I performed with my then 10-year-old son).

What was your favourite story as a child?
‘Alice in Wonderland’ (for its nonsense and intelligence) and ‘Winnie the Pooh’ (for its silliness and philosophy)

Isla Shaw

Designer

Meet Isla
Say My Name: I-la sh-or sounds like roar
What have been your favourite projects to work on?

I designed ‘Macbeth’ at Shakespeare’s Globe. It’s incredibly exciting to have 1600 people responding to work in that space! It’s raw and exciting!

What do you like best about your job?

I really enjoy how every day is different. From research and problem solving, to working creatively with the director, and being part of a team to create a show.

Richard Heacock

Composer

Meet Richard

What have been your favourite projects to work on?
My first theatre show was a version of ‘Winnie the Pooh’. Eeyore wore a pac-a-mac, which we sprinkled with water backstage so it looked like he got rained on wherever he went.

Why did you want to work in theatre?
The circus wouldn’t have me. I have no head for heights, and I’m allergic to straw. And elephants.

James Whiteside

Lighting Designer

Meet James
What have been your favourite projects to work on?

I’m very lucky to have worked on all sorts of projects, so it’s very hard to pick a favourite. But I did have a blast the first time I went to New York with Tall Stories!

What was your favourite story as a child?

My favourite story as a child was ‘The Wind in the Willows’, and it still is! One day I would like to light it on stage.

Alice Lessing

Costume Supervisor

Meet Alice

What has been your favourite projects to work on?
It has to be The Snail and the Whale! I love the way the story is told through the little girl; It’s so clever and imaginative.

What’s your favourite ocean creature?
A Sea Horse! They can change colour in minutes and it’s the male that carries the babies – brilliant!

Production

Director: Toby Mitchell
Set & Costumes Designer: Isla Shaw
Composer: Richard Heacock
Lighting Designer: James Whiteside
Costume Supervisor: Alice Lessing
BSL Interpreter: Laura Goulden

Production Manager: Nick May
Set Construction: Footprint Scenery & Harrogate Scenic Services
Concept Design: BoomLive.Agency
Prop Refurbishment: Bryony Rumble
Scenic Painter: Kerry Jarrett
Chair Upholstery: Karen Wood
Wooden Snails: Jack Chivers
Set Transportation: CEG Logistics
Tour Booking: Pro Tours 

Adapted by the company from the picture book by Julia Donaldson and Axel Scheffler

The Snail and the Whale © Julia Donaldson and Axel Scheffler 2003 – Macmillan Children’s Books

Previous team members

Daughter/Snail

Rhiannon Wallace (original production), Susanna Jennings, Lucy Grace, Amy Tobias, Hannah Miller

Dad/Whale

Martin Dempsey (original production), Patrick Bridgman, Tim Hibberd

Narrator/Viola Player

Ellen Chivers (original production), Eva Tausig, Rosalind Steele, Catriona Stirling, Rachel Benson, Charlotte Mafham

Understudy Narrator

Cathryn Gleeson

Company Stage Manager

Kaley Freeman, Charlie Young, Emma Nairne-Thomas, Ben Luke, Verity Clayton