Cast and Crew

Abbey Norman

Grandmother Smoo

Meet Abbey

Say my name: Ab-Bee NOR-man

Previous credits with Tall Stories include: Mouse in The Gruffalo & The Gruffalo’s Child.

Other theatre credits include: The Tiger Who Came to Tea (West End & Overseas), The Way Back Home & The Night Before Christmas (Big Wooden Horse. UK and International), Guess How Much I Love You (Rose Theatre Kingston & UK tour), Maisy’s Treasure Hunt, The Extraordinary Adventures of Mr Benn & Robin Hood (Nuffield Theatre Southampton), The Book of the Banshee (Yvonne Arnaud Theatre and UK tour), Pygmalion, Major Barbara, The Importance of Being Earnest, Charlies Aunt (UK Tours) and The Entertainer, Teechers, The Maintenance Man, How He Lied to her Husband & Village Wooing (Broadstairs Summer Rep Seasons)

Other credits include: Series regular Sandra and various other silly voices for the radio sitcom Barmy Dale featured on BBC Radio Derby and available as a podcast. Abbey also sings as part of the harmony group Swell Sisters.

What have been your favourite projects to work on?

The Gruffalo and Tiger who Came to Tea have taken me all over the world on incredible adventures and such an honour to bring to life adaptations of books that are so loved by so many people.

What was your favourite story as a child?
The Inbetweens – a series of stories my Mum wrote about magical forest creatures who were ‘in between’ fairies and imps, they used spiders webs as trampolines. I absolutely loved them.

What is your favourite space joke?
What’s an astronaut’s favourite part of a computer? – The space bar.
What do you call a loony spaceman?  – An astronut

Tell us an interesting space fact
The sunset on Mars appears blue.

If you could be an alien, describe what you would look like?
I would have expanding antennae with eyes on the top so I could see anything I wanted. I would have several arms so I could have cups of tea in my hands at all times and still be able to carry out tasks at the same time with the others. I might have two mouths too so I could talk and drink tea simultaneously. I would of course be blue like a Smoo.

Patrick Bridgman

Grandfather Smed

Meet Patrick

Say my name: PAT-ric BRIJ-mun

Originally from the north, Patrick studied Music at Oxford, and recently moved from Cumbria to Henley-On-Thames.

Previously with Tall Stories: Mum and the Monster (Edinburgh Fringe and UK tour), William’s Monster (Chelsea Theatre), The Snail and the Whale (Edinburgh and UK & International tours)

Other theatre includes: The Christmas Lobster (Farnham Maltings), Much Ado About Nothing and The Lord of the Rings (Watermill, Newbury), Five Children and It (the egg, Bath)

Television includes: The Crown, EastEnders, Brassic, Coronation Street, Emmerdale, Hollyoaks

Radio: various dramas and With Great Pleasure, BBC Radio 4

What have been your favourite projects to work on?
Doing three plays in repertory at Keswick’s Theatre by the Lake. Also it was great to be in the much-loved The Snail and the Whale

What was your favourite story as a child?
I loved the fairy tales in collections by Ruth Manning-Sanders, with memorable illustrations by Robin Jacques

What is your favourite space joke?
What did the Moon say to Mars?
No thanks, I’m quite full at the moment

Tell us an interesting space fact
Earth spins and orbits the Sun, but the sun also spins and orbits the centre of the Milky Way at 500,000 mph. Anyone else dizzy??

If you could be an alien, describe what you would look like?
What I’d look like as an alien: something like a tree with lots of little glowing eyes at the ends of the branches and thousands of tiny tendrils to move about on.

 

Felicia Akin-Tayo

Janet

Meet Felicia

Felicia was born in Nigeria and raised in Newham, east London. She graduated from The Royal Central School of Speech and Drama with a BA Acting CDT (Collaborative Devised Theatre) degree. 

Felicia enjoys physical theatre, movement and dance and appreciates storytelling – especially when told not just by voice but by the body too! 

Previous credits with Tall Stories include: 

‘The Smeds and The Smoos’ (Edinburgh Festival & artsdepot)  

Other theatre credits include:  

‘Here, There, Now’ (Lyric Hammersmith Theatre) Digital recording  

What have been your favourite projects to work on? 

R&D workshop with We Are Collective as I enjoyed being challenged through the themes discussed and working very closely with the creative team. It was so refreshing being able to share, explore and experiment with ideas using different forms of exercises.  

What was your favourite story as a child? 

‘The Very Hungry Caterpillar’ – I really enjoyed the colours, the growth, and the journey of the caterpillar.  

What is your favourite space joke?  

What type of book do aliens like to read? Comet Books.  

Tell us an interesting space fact. 

If you could fly a plane to Pluto the trip would take more than 800 years.  

If you could be an alien, what would you look like?

I would call my alien Sabrina. Sabrina is shaped like a lightbulb/pear. Sabrina has wheels and rolls when she’s laughing. Sabrina is known for her skills in skating on ice and land and slime. She loves to eat snow and ice. 

Antony Lam

Bill

Meet Antony

Say My Name: An-TUH-nee LAHm

Originally from Malaysia, Antony studied violin at the Eastman School of Music before attending Randolph College for the Performing Arts in Toronto. Moving to London in 2023, Antony graduated from the London Academy of Music and Dramatic Art with an MA in Musical Theatre.

Antony is thrilled to be joining The Smeds and The Smoos, and hopes that audiences can learn some new lessons through the power of storytelling and playing pretend!

Other theatre credits include

Into The Woods (LAMDA/Edinburgh Fringe), Seldom Sung Sondheim (Stephen Sondheim Society), Bird Call (SIAPA Theatre), The King and I (Broadway Asia)

Other credits include

The Guy Who Didn’t Like Musicals (Musical Director), Cherry Jam (Workshop), Animal Farm the Musical (Workshop/BYMT)

What have been your favourite projects to work on?

I love working on projects where I get to have fun and be silly with my friends and castmates, and truly collaborate as a team. It makes the process so much more enjoyable, and the end result so much more rewarding.

What was your favourite story as a child?

Big Winnie the Pooh fan. Huge.

What is your favourite space joke?

Why did the star go to school? To get brighter.

Tell us an interesting space fact,

On a clear night or early morning, Venus is actually visible from Earth! If you see a very bright “star” that doesn’t twinkle, it’s Venus!

If you could be an alien, describe what you would look like?

You know those green alien cat memes? That.

Lolly Platt

Understudy

Meet Lolly

Lolly is a firm believer in “fake it ‘til you make it” and has spent the last couple of years training herself – after training for a year at Read College’s Musical Theatre foundation course – and getting involved in the fringe theatre scene. With a passion for puppetry and theatre made by people who love to play, Lolly feels very at home in Tall Stories’ production of ‘The Smeds and The Smoos’. Accessible theatre is very important to Lolly, and her assistance dog (Koda) who will be watching from the wings, and she looks forward to helping bring this vibrant show to life.

Theatre Credits: Open Call (Director/Choreographer/Performer), The Grumble Cat (Puppetry schools tour, 13 Months Theatre), Reaching Out (Grenoble, Choreographer), The Duchess of Buckingham (Ruckus Theatre),

Film credits: Eurydice Turn (Josh Parker), Plunk (Lillith Freeman and Bud Potter), Tired of Dreaming, Deprived of Sleep (Met Film School)

What has been your favourite project to work on?

I love creating collaboratively, so Eurydice Turn and Plunk felt particularly special, while Open Call provided a fantastic opportunity for the ridiculous. However, my teenage production of Cats bests them all.

What was your favourite story as a child?

‘Mog the Forgetful Cat’! Bother that cat, never have dippy eggs been so delightfully appealing. Its beautiful illustrations and Mog’s grumpy, confused, loving ways; I’d do anything for that cat!

Favourite Space Joke

What do Grandmother Smed and Grandfather Smoo say when trying to think of a new planet to visit? “Errrrrrrrr…th”. (Can swap out named characters for generic “aliens”)

Favourite Space Fact

Uranus has a moon called Miranda. How lovely!

If you could be an alien, describe what you would look like.

Most importantly, I would have a trunk and antennae. I would also be entirely round and fuzzy, with big, curly purple eyebrows. I’d bounce around the dunes most contentedly.

Meg Stephens

Company Stage Manager

Meet Meg

Say My Name: Mm-egg STEE-vuns

Meg Stephens is a stage manager and theatre technician originally from Meanjin (Brisbane), Australia. She studied at the Queensland University of Technology (Bachelor of Fine Arts – Technical Production, Mandarin). Meg has focused her career on touring, site-specific work and festivals.

Theatre credits include: We’re Going On A Bear Hunt (UK/International Tour) Peaky Blinders: The Rise (London/Saudi Arabia), Nearer The Gods (Ensemble Theatre – Sydney season), Guess How Much I Love You (CDP Theatre Producers- Australian Tour), Carmen (Opera Australia – Australian Tour).

What have been your favourite projects to work on?

Traveling is one of my favourite things to do, so any project where I get to travel somewhere new is special. I also really love creating site-specific work, especially in an urban landscape!

What’s your favourite food?

Plain pasta with parmesan cheese is my ultimate comfort food.

Mel Fritz-Liu

Assistant Stage Manager

Meet Mel

Say My Name: Mell Frit-zz Lee-oo

Mel grew up and began training and working in theatre on the East Coast, USA before moving to the UK to earn a BA (Hons) in Stage Management and Technical Theatre from the Royal Central School of Speech and Drama. They continue to live and work with a base in London, across a range of roles.

Previous credits with Tall Stories include:

The Elmer Adventure (UK Tour, Rehearsal ASM), Room on the Broom (UK Tour/West End, ASM Cover)

Other theatre credits include:

Death on the Throne (Upstairs at the Gatehouse, Sound Operator), Too Many Books (Upstairs at the Gatehouse, Cover SM on Book), Mrs. Caliban (Theatro Technis, Stage Manager), Stranger Things: The First Shadow (Phoenix Theatre, Prop Maker), Broken Wings (Charing Cross, Build Crew)

Other credits include:

Various live events as stage/audio/LX crew at Royal Albert Hall

What have been your favourite projects to work on?

I had a fantastic time on Death on the Throne, a hilarious puppet-heavy show where I operated and mixed sound. We laughed and danced a lot in the booth!

What was your favourite story as a child?

At first, Coraline gave me nightmares, but then I fell in love with the fantastical and layered world in it. I was inspired by Coraline’s courage and spirit.

What is your favourite space joke?

How do space cowboys wrangle their cattle? . . . A tractor beam.

Tell us an interesting space fact.

Myths from multiple cultures talk about a rabbit living on the moon! In the Chinese legend, a young woman, Chang’e, ends up living on the moon with her pet rabbit.

If you could be an alien, describe what you would look like? 

I’d be a little green creature dressed in clothes made from nature, living in the colorful foliage and speeding around on my ship or with my butterfly-like wings.

Creatives

Toby Mitchell

Director

Meet Toby

Say My Name: TOE-bee MIT-shull

What have been your favourite projects to work on?
As a director, ‘The Smeds and The Smoos’, ‘The Snow Dragon’ and ‘The Snail and the Whale’; as a writer/performer, ‘Future Perfect’ (a show I performed with my then 10-year-old son).

What sort of planet would you like to visit?
I’d like to visit a planet which has polar ice caps made of salted caramel ice cream

Barney George

Set and Costume Designer

Meet Barney

What have been your favourite projects to work on?
Every project has exciting new challenges. Each new collaboration is always my favourite.

What would you take with you on a space adventure?
My children would make amazing travelling companions – if they want to come along of course!

Jon Fiber & Andy Shaw

Music and Lyrics

Meet Jon Fiber & Andy Shaw
What have been your favourite projects to work on?

We’ve enjoyed all of the shows we’ve worked on with Tall Stories but I think our favourite experience was working with actor-musicians, devising songs and music for ‘Wilde Creatures’ and ’The Canterville Ghost’.

What is your favourite space joke?

Q. How do you organise a party in outer space?
A. You planet!

Yvonne Stone

Puppet Designer

Meet Yvonne

Say My Name: ee-VON st-OHn

Yvonne studied Puppetry at the Central School of Speech and Drama in London having previously attended the Byam Shaw School of Art. She is now an independent puppet designer, director, maker and performer for theatre, television and film.

What have been your favourite projects to work on?

I have loved working on all my projects. It’s just so great to work with puppets.

What was your favourite story as a child?

My favourite stories as a child were the Yvonne and Teresa stories made up by my dad for my sister and I. We couldn’t get enough of them!

What was the first show you saw as a child?

It was a pantomime in London. I’d just got over chicken pox and was a bit shy, but then I was asked to come up on stage and suddenly all my shyness was gone!

Peter Harrison

Lighting Designer

Meet Peter

What have been your favourite projects to work on?
‘Wilde Creatures’ and ‘The Canterville Ghost’ with Tall Stories, but more recently, growing potatoes on my new allotment has been great too.

If you were an alien, what would you look like?
I would have six very long arms so I could work while also watering the garden, making the dinner, scratching my back, and still have a spare to answer the door for the postman.

Julia Cave

Choreographer

Meet Julia

What have been your favourite projects to work on?
My favourite projects to work on are those with brilliant stories told through music, dance, puppets and everything in between!

What is your favourite space joke?
Q. Why do aliens spill their tea?
A. They have flying saucers.

Martin Rodges

Costume Supervisor

Meet Martin

Say My Name: mah-tin rod-jez

What have been your favourite projects to work on?
One of my favourites was ‘Anything Goes’ at the Barbican, because it was the first proper theatre job I did after lockdown and so it felt like I was finally getting back to normal.

If you were an alien, what would you look like?
I’d be big, soft and fluffy, then all the other aliens would want to cuddle me.

Author & Illustrator

Julia Donaldson

Author

Meet Julia

Julia is the author of some of the world’s best-loved children’s books, including modern classics ‘The Gruffalo’ and ‘The Gruffalo’s Child’, which together have sold over 17 million copies worldwide, and the hugely successful ‘What the Ladybird Heard’ adventures. Julia also writes fiction, including the ‘Princess Mirror-Belle’ books illustrated by Lydia Monks, as well as poems, plays and songs – and her brilliant live shows are always in demand. She was Children’s Laureate 2011-13 and has been honoured with a CBE for Services to Literature. Julia and her husband Malcolm divide their time between West Sussex and Edinburgh.

Axel Scheffler

Illustrator

Meet Axel

Axel is a star illustrator whose instantly recognisable, warm and witty illustrations have achieved worldwide acclaim and numerous awards. Axel is the illustrator of wonderful novelty, gift and poetry books for Macmillan, such as ‘Fish Dream of Trees’ (Two Hoots) and the bestselling ‘The Bedtime Bear’, ‘The Tickle Book’ and ‘Mother Goose’s Nursery Rhymes’ – and of course, he is the illustrator of some of the world’s best-loved picture books, including the modern classic ‘The Gruffalo’, with over 30 million books sold worldwide across the series. Axel’s artwork is exhibited internationally; he has illustrated for many charities, and designed the Royal Mail Christmas stamps in 2012. Born in Hamburg, Axel now lives with his family in London.

 

Production

Director: Toby Mitchell
Set & Costumes Designer: Barney George
Music & Lyrics: Jon Fiber & Andy Shaw for Jollygoodtunes
Puppet Designer: Yvonne Stone
Lighting Designer: Peter Harrison
Choreographer: Julia Cave
Costume Supervisor: Martin Rodges
Assistant Director: Penny Dyer
BSL Interpreter: Rachel Merry
BSL Facilitator: Jeni Draper

Production Manager: James Dawson
Collaborator: Zhaolin Zhou
R&D Co-Director: Olivia Jacobs
Set Construction: Barney George
Set Build Contributors: Stanley George, Dick George, Ruth Mulholland, Jake Palmer-Simmons, Ted Harrison
Model Maker: Stanley George
Floor Cloth Painter: Claire Winfield
Props Maker: Anita Gander
Assistant Puppet Makers: Lynsey Baker, Teresa Collins, Tori Chilcott, Laura Harvey
Costume Makers: Jane Thomas Colquhoun, Meg Roberts, Chantelle Gonzalez Saravia
Publicity Design: Dewynters

Adapted by the company from the picture book by Julia Donaldson and Axel Scheffler

The Smeds and The Smoos © Julia Donaldson and Axel Scheffler 2019, published by Scholastic 

Previous team members

Janet

Althea Burey (original production), Felicia Akin-Tayo

Bill

Dan Armstrong (original production), Robert Penny

Grandfather Smed

Tim Hibberd (original production), Tom Capper

Grandmother Smoo

Angela Laverick (original production), Louise Mai Newbury, Andrea Sadler

Understudy / ASM

Grace Liston

CSM

Osian Griffiths (original production)

Gareth Moss