Cast

Joe Lindley

The Gruffalo/Snake/Owl/Fox

Meet Joe

Say My Name: J-oh Lind-lee

Originally from Wakefield, West Yorkshire, Joe trained at The Liverpool Institute for Performing Arts (LIPA).

Other Tall Stories credits include: Room on the Broom

Other theatre credits include: Frozen (Disneyland Paris), The Wave (European Tour), Greenwood Dreams (Claybody Theatre), Spellz (UK Tour) and The Sam Wanamaker Festival (Shakespeare’s Globe). His television and film credits include All at Sea (BBC), Puck (Short Film) and Divine Intervention (Short Film).

What have been your favourite projects to work on?
I absolutely loved performing at Disney. Living in Paris was amazing and I spent all day hanging out with Elsa, Anna and Olaf which was pretty cool.

What was your favourite story as a child?
Room on the Broom was definitely a favourite of mine, so much so, that I once went to school dressed as the witch for World Book Day!

What possession would you really not want to lose?
I wouldn’t want to lose my headphones because I need to be listening to music wherever I go (mostly so that I can pretend I’m in a music video).

Hannah Miller

Gruffalo’s Child

Meet Hannah

Say my name: HAN-uh MIL-uh

Originally from Bristol, Hannah trained on the three year acting course at LAMDA.

Previous credits with Tall Stories include: Room on the Broom (West End, UK tour, Malta) The Snail and the Whale (West End, Sydney Opera House, UK tour and livestream). The Smeds and the Smoos (Devising and emergency cover). Hannah also adapted, animated and performed The Light Princess as part of Tall Stories’ storytelling project, Tales of Light.

Other theatre credits include: The Koala Who Could (UK tour), Roots (1927, Wilton’s Music Hall, China and Japan), Boxville (Cardboard Adventures, Tobacco Factory Theatres, Little Angel and UK tour), The Tiger Who Came to Tea (UK tour), Adventures in Wonderland and Inside Pussy Riot (Les Enfants Terribles), Blackbird (Rondo Theatre), Peter Pan and Sense and Sensibility (UK open air tour).

Film credits include: Talking to Ghosts (Skint Film Company).

What was your favourite story as a child?
All the Roald Dahl’s, Harry Potter, and any story featuring a dog. All of which I’d still lap up today!

If you pretended to be an imaginary monster, what would they look like?
I would be very small, soft and seemingly sweet looking but inside the most wicked of all the monsters! Or huge and terrifying in appearance but ultimately kind hearted and tragically misunderstood.

What is your favourite thing to do in the snow?
I enjoy building a snow sculpture, usually animal or creature rather than man. Then, masterpiece complete, I’d warm up with a hot chocolate and admire my new snowy friend!

Sabrina Simohamed

Narrator/Mouse

Meet Sabrina

Say my name: Sah-bree-nah Sim-oh-ham-id

Sabrina is a London-based actor and writer of Algerian descent, originally from East London. She trained at The BRIT School, where her credits included playing Satan in The Last Days of Judas Iscariot, directed by Ben Matthews.

She recently graduated from the Royal Central School of Speech and Drama, where she worked with directors including Philip J. Morris and Jaz Woodcock-Stewart.

As a writer-performer, Sabrina wrote and starred her one-person show ALL THE WORST PARTS at the Barons Court Theatre

What was your favourite story as a child?
“Where the Wild Things Are” – I loved its mix of imagination, mischief, and magic. I was obsessed with the artwork and depiction of the fantastical beasts as a kid.

If you pretend to be an imaginary monster, what would they look like?
They’d have lots and lots of hair, so much that they could create a small nest out of it. And bright purple eyes that glow in the dark.

What is your favourite thing to do in the snow?
My favourite thing to do in the snow is a snowball fight, of course!

 

Robin Harris

Understudy/Assisant Stage Manager

Meet Robin

Say my name: ROH-bin HAH-riss

Robin grew up in the West Country near Bath, before training in classical acting at Drama Centre, London and the Vakhtangov Institute, Moscow. He’s now based in South London – but often finds himself here, there and everywhere working as an actor and musician. On this occasion, he’s really quite excited to venture into the deep, dark wood…

Other theatre credits include: Much Ado About Nothing (Shakespeare North Playhouse, The Globe, Neuss & UK Tour, HandleBards), Twelfth Night (Orange Tree Theatre, Flute Theatre), Robin Hood (UK Tour, Three Inch Fools), Storyteller (Courtyard Theatre), The Christmas Lobster (Farnham Maltings Theatre), Amos & The Owl (Artless Theatre, UK Tour), Atlantis (Old Fire Station, Oxford).

Television credits include: Testament (Angel Studios), Mayhem: The Secret Lives of the Georgian Kings (Sky History, OneTribeTV), Kingdom (working title), Fellowship: Tolkien & Lewis (Roarlight)

What was your favourite story as a child?
Percy the Park-Keeper. What a story. I thought he had the ultimate dream job – clearly I’ve always loved animals in the forest!

If you pretended to be an imaginary monster, what would they look like?
They would undoubtedly be blue, have 6 eyes and more legs than you can possibly imagine – think every octopus in the sea joined together, but with one head. And blue.

What is your favourite thing to do in the snow?
Grab a sledge/toboggan/granny’s best tea tray, find the biggest hill I can and let gravity work its magic.

Holly Glenn

Company Stage Manager

Meet Holly

Say My Name: HOL-lee G-len

Originally from Northern Ireland, Holly now lives in England after studying at Rose Bruford College. Holly is a stage manager who enjoys working in new writing and children’s theatre.

Previous credits with Tall Stories include: R&D, Room on the Broom (UK Tour/West End)

Other theatre credits include: Sirens (Jumping Group), Route 158 (Punchdrunk Enrichment/Tour), The Instrumentals (Southbank Centre), WOW! It’s Nighttime (Little Angel Theatre), The Nightwoman (The Barbican) Fiesta (Queen’s Theatre Hornchurch), FLOOD (UK Tour), The Instrumentals (Little Angel (Theatre/Tour), Sleeping Beauty (The Grange Theatre)

What have been your favourite projects to work on?
My favourite projects to work on have been Room on the Broom and The Instrumentals.

What was your favourite story as a child?
My favourite story as a child is the Hollyhock Wall by Martin Waddell.

If you pretended to be an imaginary monster, what would they look like?
If I pretended to be an imaginary monster I think they would be small, green and fuzzy but able to run very fast.

What is your favourite thing to do in the snow?
My favourite thing to do in the snow is to hear the crunch under my shoes and then to warm up with a hot chocolate afterwards.

Creatives

Olivia Jacobs

Director

Meet Olivia
Say My Name: uh-LIV-ee-uh JAY-kuhbs
What do you like best about your job?

The people I get to work with. I’m lucky to be in a room with so many talented and creative people. It’s hard and physically demanding – but we laugh all the time and what could be better than that?!

What was your favourite story as a child?

I loved being read Mr Tickle by my dad. The anticipation of him tickling at the end was almost unbearable…

Why did you want to work in theatre?

I learn best through stories and am inspired by getting lost in a brilliant tale. To be part of making great stories come to life for a living is a real treat.

Toby Mitchell

Dramaturg

Meet Toby
What have been your favourite projects to work on?

As a director, ‘The Smeds and The Smoos’, ‘The Snow Dragon’ and ‘The Snail and the Whale’; as a writer/performer, ‘Future Perfect’ (a show I performed with my then 10-year-old son).

What was your favourite story as a child?

‘Alice in Wonderland’ (for its nonsense and intelligence) and ‘Winnie the Pooh’ (for its silliness and philosophy).

Isla Shaw

Designer

Meet Isla
Say My Name: I-la sh-or sounds like roar
What have been your favourite projects to work on?

I designed ‘Macbeth’ at Shakespeare’s Globe. It’s incredibly exciting to have 1600 people responding to work in that space! It’s raw and exciting!

What do you like best about your job?

I really enjoy how every day is different. From research and problem solving, to working creatively with the director, and being part of a team to create a show.

James Whiteside

Lighting Designer

Meet James
What have been your favourite projects to work on?

I’m very lucky to have worked on all sorts of projects, so it’s very hard to pick a favourite. But I did have a blast the first time I went to New York with Tall Stories!

What was your favourite story as a child?

My favourite story as a child was ‘The Wind in the Willows’, and it still is! One day I would like to light it on stage.

Morag Cross

Choreographer

Meet Morag
What have been your favourite projects to work on?

Not to be cheesy, but ALL of the Tall Stories shows that I’ve done the movement for are the most fun and collaborative and satisfying to create.

What do you like best about your job?

Playing games and dancing and laughing until I’m exhausted!

Martin Rodges

Costume Supervisor

Meet Martin
Say My Name: mah-tin rod-jez
What have been your favourite projects to work on?

One of my favourites was ‘Anything Goes’ at the Barbican, because it was the first proper theatre job I did after lockdown and so it felt like I was finally getting back to normal.

Why did you want to work in theatre?

I tried every single job in theatre and finally settled on costumes – I enjoy realising the designers’ drawings on stage. 2024 will mark 35 years of working in the costume industry.

Jon Fiber & Andy Shaw

Music & Lyrics

Meet Jon Fiber & Andy Shaw
What have been your favourite projects to work on?

We’ve enjoyed all of the shows we’ve worked on with Tall Stories but I think our favourite experience was working with actor-musicians, devising songs and music for ‘Wilde Creatures’ and ’The Canterville Ghost’.

What was your favourite story as a child?

Jon’s favourite story as a child was ‘Peter and the Wolf’ (although it terrified him!) and Andy’s was ‘The Adventures of the Little Wooden Horse’.

Author & Illustrator

Julia Donaldson

Author

Meet Julia

Julia is the author of some of the world’s best-loved children’s books, including modern classics ‘The Gruffalo’ and ‘The Gruffalo’s Child’, which together have sold over 17 million copies worldwide, and the hugely successful ‘What the Ladybird Heard’ adventures. Julia also writes fiction, including the ‘Princess Mirror-Belle’ books illustrated by Lydia Monks, as well as poems, plays and songs – and her brilliant live shows are always in demand. She was Children’s Laureate 2011-13 and has been honoured with a CBE for Services to Literature. Julia divides her time between West Sussex and Edinburgh.

Axel Scheffler

Illustrator

Meet Axel

Axel is a star illustrator whose instantly recognisable, warm and witty illustrations have achieved worldwide acclaim and numerous awards. Axel is the illustrator of wonderful novelty, gift and poetry books for Macmillan, such as ‘Fish Dream of Trees’ (Two Hoots) and the bestselling ‘The Bedtime Bear’, ‘The Tickle Book’ and ‘Mother Goose’s Nursery Rhymes’ – and of course, he is the illustrator of some of the world’s best-loved picture books, including the modern classic ‘The Gruffalo’, with over 30 million books sold worldwide across the series. Axel’s artwork is exhibited internationally; he has illustrated for many charities, and designed the Royal Mail Christmas stamps in 2012. Born in Hamburg, Axel now lives with his family in London.

 

Production

Director: Olivia Jacobs
Dramaturg: Toby Mitchell
Designer: Isla Shaw
Lighting Designer: James Whiteside
Choreographer: Morag Cross
Costume Supervisor: Martin Rodges
Music and Lyrics: Jon Fiber, Andy Shaw
Music Production: Jon Fiber and Andy Shaw for Shock Productions
UK Production Manager: Nick May
Marketing: Jane Morgan Associates

Adapted by the company from the picture book by Julia Donaldson and Axel Scheffler (Macmillan Children’s Books)

The Gruffalo’s Child © Julia Donaldson and Axel Scheffler 2004 – Macmillan Children’s Books 

Previous team members

The Gruffalo’s Child

Angela Laverick (original production), Sarah Thomas Lane, Caroline Garland, Karina Garnett, Marie-Therese Devine, Ellie Bell, Yvette Clutterbuck, Sarah Kameela Impey, Sophie Alice, Althea Burey 

Gruffalo/Predators

Alex Perkins (original production), Rowan Talbot, Liam Lane, Felix Hayes, Stuart Slavicky, Owen G Bevan, Harry Lobek, Philip Yarrow, Tom Crook, Duncan Macinnes, Alex Scott Fairley, Andrew Mudie, Jack Kelly, Dominic Gee-Burch, Matt Tweddle 

Mouse

Morag Cross (original production), Hilda Gardner, Luanna Priestman, Alice Parsloe, Abbey Norman, Lesley Cook, Ellie Bell, Sally-Ann Staunton, Catriona Mackenzie, Georgia Wall, Emily Essery